In 2013 I was 'Artist in Residence' in the beautiful village of Mino in Japan. This AiR came to a halt in 2016, but still offers assistance to self-funded artists.
This year a special exhibition showcases handmade paper Etegami works by past participants of the Mino Artist in Residence. My picture letter will be among more than 50 other Etegami art works.
Etegami (e means picture and tegami means letter/ message) consists of a simple drawing accompanied by a few words on a postcards to be mailed to one’s friends.
If you are in Japan, try to take a detour and visit Mino, known for its quality handmade paper and Edo-period streets with 'udatsu' roofs. And please feel welcome to enjoy the many beautiful Etegami at studio Yoshida
Dates: Wed. 21 March – Sun. 25 March
Time: 10:00 – 16:00
Place: Studio Yoshida (next to former Imai Residence)
I am so thankful for the wonderful opportunity of showing my latest series 'Japanese vending machine' at the Martini Ziekenhuis in Groningen. If you are around or would like to visit my exhibition, please leave a message and I'd love to come and explain more about this series. Otherwise, you can find my paintings at the 'orange corridor', route 0.8.
✿You have the chance to visit the exhibition until April 9th✿
For more information about this series, click on the following link.
Flyer expositie Japanse verkoopautomaten
I am also happy to announce that I have printed the images from this series on postcards which are for sale. If you are interested in purchasing them, you can leave a message here or write to firstname.lastname@example.org
If you would like to know about my recent doings, I update my process quite regularly on Instagram.
View of several paintings now on show
A total of 12 postcards.
Thank you for reading my blog. If you're in Japan, please visit the 'Washi no noren' exhibition. My paper curtain 'Blue-and-white flycatcher' together with many other beautiful noren (traditional Japanese curtain) will be on display at the Yoshida Studio in Mino. The dates are April 30 and May 15-16 2016. Enjoy Spring in Japan!
If you're in the Netherlands you can view my linocut 'Konbini no. 1' at Galerie Iroha in Dordrecht.
My "Blue-and-white flycatcher" washi noren hangs in the beautiful historical center of Mino city. This exhibition is a celebration of the traditional Mino washi papermaking technique being listed as Intangible Cultural Heritage of Humanity by UNESCO.
In 2013 I went to Mino for an Artist in Residence, where I stayed with a lovely family. In 1997 this Mino Artist in Residence project started, and this year all invited artists have designed a unique washi noren.
Photo's by Takaaki Otsuka
This year, while following the workshop handmade paper making in Mino, I made a lantern for the Mino Washi Akari Art Festival. You can view my lantern 'Mirai' in the photo below: the box-shaped lantern.
Mino AiRDuring the Mino Washi Akari Art Festival, visitors could also view all paper lanterns made by past participants of the Mino Artist in Residence. I made the green-and-white rectangle lantern 'Outside' in 2013 as part of the Mino Paper Art Village (Artist in Residence) project. You can view this lantern here.
The history of Mino Washi paper goes back 1300 years. It was admired for its beauty, strength and softness. During the Edo period Mino Washi became a luxury and was being used for sliding doors.
In 2014 Unesco placed the traditional craft of hand making paper from Mino, Misumi-cho and Ogawa on the list of Intangible Cultural Heritage of Humanity. In Mino this special paper is called "Hon-minoshi".
The bark used for "Hon-Minoshi" comes from the finest Mullberry tree (Nasu Kozo). During the 5 days paper making workshop we learned about the process of making Mino Washi paper. The main activity was making large-sized papers. Other things we did were washing the bark in the water basin, putting the bark inside the boiling pot of water and soda, and taking out the dark and hard bits left inside the bark. The photos show some of the steps made during the process of making Mino Washi paper. I hope you enjoy the photos! View my previous post to see an article about me in the Chunichi Shimbun.
De geschiedenis van Mino Washi papier begon 1300 jaar geleden. Toen al werd het bewonderd om haar schoonheid, kracht en zachtheid. Tijdens de Edo-periode (1603- 1868) was Mino Washi een luxe product en werd het gebruikt voor schuifdeuren.
In 2014 plaatste Unesco de traditionele ambacht van het met de hand maken van papier uit Mino, Misumi-cho en Ogawa op de lijst van "Immaterieel Cultureel Erfgoed van de mensheid". In Mino wordt dit speciale papier "Hon-minoshi" genoemd.
De vezels van de beste Moerbeiboom 'Nasu Kozo' worden gebruikt voor het maken van "Hon-Minoshi". Tijdens de 5 dagen van de workshop leerden we over het proces van het maken van Mino Washi papier. Maar de meeste tijd besteedden we aan het maken van Mino Washi papier zelf. We gebruikten een grote 'suketa' dat door middel van draden aan bamboestokken hing. Al snel ervaarde ik waarom, omdat de mix van water met papier en aoi tororo erg zwaar was. Daarbij moest je gecontroleerde bewegingen met de 'suketa' maken, zodat het papier mooi en sterk wordt.
Andere dingen die we deden was het wassen van de witte bast in het bassin, de bast in de kokende pot met alkaline doen- en er later weer uithalen, en de donkere en harde stukjes uit de bast halen. De foto's tonen een aantal van de stappen tijdens het proces van het maken van Mino Washi papier.
Een artikel over mijn deelname aan deze workshop is in de Chunichi Shimbun (krant) verschenen.
This year I went to Mino for the second time to follow a 5- days paper making workshop at the Mino Washi Traditional Paper Museum. Our teacher Ichihara Toshiko-sensei, a professional Mino Washi papermaker, taught us the process of making Mino washi. We spent most of the time making large-sized washi. I was interviewed by the"Chunichi Shimbun" about why I follow this workshop and my admiration and use of Mino washi paper. The photo shows me taking out the dark and hard bits (chiritori) from the fibers.
Thank you everyone for coming to the opening. It was such a nice day! The wonderful singing performance by Mari Fuji really moved me. With Chiemi Fukumori's dance in unison they were fantastic! Thank you very much! I hope to see your performance again somewhere in the Netherlands or maybe..Japan?
During the opening I talked about the importance of esthetics in my art and the influence of Japanese art and architecture. Furthermore I explained some of my prints taking different approaches. Since I went to Japan last year as Artist in Residence at the Itsukaichi Printstudio I mostly made prints. At the moment I am searching for a more "poetic" way of expressing light by using Japanese pigments. Also I am adding more elements of nature into my paintings. A begin has already been made in the diptych prints 'Shoji Window'.
The day ended with a Workshop Shodo (calligraphy) by Chiemi Fukumori. Enthusiastically she told us about the Japanese characters 'Kanji' and the way of writing. I was surprised to hear about the strokes inside the kanji 'wind' (Japanese: 風) meaning 'worm'.
If you didn't have the chance to come to the opening; my paintings, prints and paper boxes will be in Wunderkammer until the 21st of August. For other questions, please leave a message.
Solo Exhibition 'Gloss Over'
Where: Wunderkammer, Kanaalstraat 149a, Amsterdam
Date: July 12th - August 21st.